'A Wrinkle in Time'
'A Wrinkle In Time' combines fantasy and science fiction to bring the classic story to life.
Amours, la révolution Z
Has Generation Z killed love? Online dating, polyamory, casual flings, platonic relationships— in a world where love is experienced through screens, Generation Z is challenging the rules of romance. Clara Pelletier sets out to meet her peers, questioning their beliefs and practices, with the aim of shedding light on today’s and tomorrow’s relationships. What if Generation Z is trying to reinvent love in order to save it?
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Has Generation Z killed love? Online dating, polyamory, casual flings, platonic relationships— in a world where love is experienced through screens, Generation Z is challenging the rules of romance. Clara Pelletier sets out to meet her peers, questioning their beliefs and practices, with the aim of shedding light on today’s and tomorrow’s relationships. What if Generation Z is trying to reinvent love in order to save it?
Rating:
Genre:Documentary
Written By:
In Theaters:
Box Office:
Runtime:50 minutes
Studio:C. Productions
Articles You May Like
Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
San Junipero: Queer Heaven on Earth
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
“The Whiteboard” Review: A Little to No Dialogue Film With Characters that tell an Endearing LGBTQ Story.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
The Good Deeds in ‘A Good Person’
‘A Good Person’ makes it clear that forgiveness is hard.
Broken Systems: Racism and Capitalism in “My Beautiful Laundrette”
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.