“Buddy” and Analogue Horror
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.

A Neapolitan cartoonist who lives with his beekeeper mother, creates with his friend Loris a graphic novel about Mileva, a heroine who in a post-apocalyptic future fights to save a queen bee in a world where nature has been destroyed.
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.