American Heterosexual Story (2024)

The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

This film’s ambition is betrayed by its lack of substance.

This 2024 musical film is based on the Broadway show and the 2004 film of the same name with major differences.

With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.