Zack has the freshness of his twenty-four years and the seriousness of his tattoos climbing up to the top of his neck. To prove his commitment to the screamo band that just recruited him as their singer, Zack has to get their logo tattooed. But his tattoo artist mentor refuses to give him credit again. He will have to find the money somewhere.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
