“Clayface” Does Not Save a Cat
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.

"American Criminal" is filmed entirely in one shot ... A police officer, a prosecutor, a judge, and a forensic scientist conspire to manufacture evidence against murderers who they are convinced are guilty, but they lack the full proofs. When a criminal defense attorney threatens to expose their illicit activities, one of the group murders him. The police officer, who was opposed to the killing, is framed for the lawyer's murder and sentenced to life in prison. With this backstory in place, five years later he escapes prison and kidnaps the entire jury who convicted him, as well as his former judge, prosecutor and scientist allies. He assembles them all at a Jewish temple - the scene of the lawyer's murder - and proceeds to prove his innocence to them, while at the same time exacting just a bit more vigilante justice.
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
A summary of the films featured in this annual event taking place in Westchester.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.