April 17, 1944. A high-profile trial for sedition opens in Washington. Dozens of individuals—including members of Congress—are accused of cooperating with German forces, participating in pro-Nazi movements, and plotting to overthrow the U.S. government. How did this happen in the world's greatest democracy? And why does no one remember this major episode in American history?
Gotham City Sirens needs a female voice behind the camera. So, on the chance someone from DC films is reading this, here are ten female directors who would be good choices for Gotham City Sirens.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
