Grief is an inheritance. Perhaps the sorrow you feel today once belonged to a woman who, a thousand years ago, watched a mountain of books burn in the fire of an invasion.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
Vivarium is an uncomfortable and startling look at how easily progress devolves in the face of overwhelming stress.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
This list was made with the intention of celebrating the craft. I love seeing more women of colour on this list than before and more newcomers on the scene as well!
