A woman goes to France in search for a man who she lost contact with, only to find that he has moved on to Venice. On her way to Venice, she faces a horrible incident in the train which makes her painfully question herself about life and relationships. And when she makes a frightening conclusion, the question becomes the share of the audiences.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
