From the very first day of Israel-Gaza conflict in 2014, filmmaker Mohamed Jabaly has been there with his camera. He follows a team of paramedics in an ambulance, eventually becoming a core member who bears witness to their perilous and heartbreaking rescue work. Ambulance tracks the harrowing chaos amidst a state-run military operation on civilians.
Mohamed Jabaly
Director
Mohamed Jabaly
Himself, narrator
Abo Marzouq Khader Al-Helo
Himself, ambulance driver
Abd-Razaq Al-Helo
Himself
Abo Nedal Ramadan Harazeen
Himself, ambulance driver
Rami Aklouk
Himself, press photographer
Samer Awadallah
Himself
Ahmed Irshi
Himself
Abdallah Al-Emawi
Mu'tazz
Himself, Mohamed Jabaly's friend
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more