NIGHTBOOKS: Stylish Kid's Horror with a Focus on Acceptance
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.

Ambassade questions the role of diplomatic relations and territorial representation. Through the prism of the American hostage crisis in Iran between 1979 and 1981, this film focuses on Switzerland’s role as an intermediary in resolving this international conflict. Pascal Décosterd was a young Swiss diplomat sent to Tehran in 1979. Today, recently retired, he is embarking on a journey to try to understand the events of which he was one of the actors. Flavio Meroni was number 2 of the Swiss Embassy in Iran, today he is writing a book on negotiations to free the hostages. In their company we visit places in the United States, Iran and Switzerland, we meet the protagonists and retrace the different stages of these three years that shaped a new global balance. Behind the scenes of these events, where small and great history mingle, Ambassade offers insights into the importance of the human being at the heart of major diplomatic mechanisms.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
The Super Mario Galaxy Movie comes on the heels of its billion-dollar grossing predecessor, and seeks to do absolutely nothing other than repeat its success. In this, the film is eminently effective. If you have seen the previous film, you can expect something extremely similar in this package. That is, a barrage of references to Nintendo intellectual property wrapped in a plot that provides the thinnest layer of emotional payoff for the characters.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
Wuthering Heights— What is the cost of love?
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.