A woman despairs about the coming collapse of the world. How will it change? What kind of planet will she leave to her daughter? She imagines different scenarios, each more terrible than the last, and decides to do something. No matter how pointless it may seem to her.
Robert von Wroblewsky
Director
Katharina Löwe
Sie
Johanna Meinhard
Tochter mit zwanzig Jahren
Rosa Henriette Löwe
Tochter mit acht Jahren
Matthias Kleinert
Guru
Katharina Hollstein
Marta
Sabine Ritter
Florin
Max Haase
Mika
Timothée Dumont
Chris
Pablo Nina Toculescu
Kim
David Kettler
Kommandant
Floriane Daniel
Tochter mit fünfzig Jahren
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.