When Sandy and Mitra get into trouble, they come to their friend Alyssa for help. “Alyssa Learns to Drive,” written by and starring Sandy Honig, Mitra Jouhari, and Alyssa Stonoha, is an ingeniously silly sketch that cycles through a smorgasbord of random accents, absurd phrasings, botched language, and ludicrous plot twists. Sandy and Mitra purchase new knives, and they are eager to test them out. They stab each other to confirm they work — good news, they work; bad news, now they have to get to the hospital. They plead for a ride from their friend Alyssa but she can’t drive so they must quickly teach her, leading to more nonsensical developments.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
This fantasy musical movie is an origin story about the title character.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
