
Ange, the mayor of a distant mountain village in Corsica becoming depopulated has launched a drama workshop supposed to give new life to the region. To this end he is to sign a contract with a cabinet minister for whom the villagers are rehearsing a play. It is the very day of the coming of the minister that Ange chooses to pass away, which infuriates his cantankerous wife Lellè. The contract must be signed anyway but how to go about it, mainly with such a family as Ange's: Rinatu, the nationalist, traditionalist son; Sauveur, the former local policeman turned politician; Marcia, Rinatu's daughter, determined to perform the play at any cost; Ange's two wives, the official one: the bad-tempered Lellè, and the unofficial one, the Indian domestic worker of Indian origin? To say nothing of Pantaleone, the deputy mayor, whose wife has been one of Ange's (numerous) mistresses.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.