Alterity (2026)

‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.

A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.

Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.

This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.