Gods of Mexico, an Artistic Triumph that Eschews Narrative
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.

Some nights are just pure magic! In October of 2017, hard rock titans Alter Bridge took to the stage of the iconic Royal Albert Hall in London for two very special headline shows. Myles Kennedy, Mark Tremonti, Brian Marshall and Scott Phillips treated the capacity crowds to selections from their entire musical catalog. The set list included some of the band’s biggest hits; rarities and even a few songs the band had never previously performed live. Adding another career first for the band, Alter Bridge was joined on stage by conductor Simon Dobson and the 52-piece Parallax Orchestra. Together, everyone on stage during those two extraordinary nights treated the combined crowd of over 10,000 fans to an unforgettable music experience. Now those two performances have been combined in to one full length, epic concert that is to be shared with fans around the globe in Alter Bridge: Live At The Royal Albert Hall.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
A documentary film about a disabled female athlete who builds courage within herself and seeks faith.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.