Following a rapture-esque apocalypse, EDDIE traverses the desolate Earth searching for other survivors. After nearly a year of searching on his lonesome, he finds TONY. Initially the two are fast friends, however as time progresses, the two's friendship quickly deteriorates into something toxic and perverse. As Eddie considers his options, he must decide if it's better to be alone, or with someone who makes you miserable.
Prajdnik Awasthi’s film uses a mix of metaphor and more grounded details to tell the story of childhood sexual abuse that caused the narrator to close himself off from his father.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
