
The film tells the story of Arnaldo, that to get rid of his miserable life, seeks of a clinic that promises to copy people. With a copy occupying his place, he would take a new life. But, when having his request denied, Arnaldo has no choice but to try and change the course of his history. When he falls in love with Josie, the clerk of a pet cemetery, Arnaldo believes that he found a chance to finally be happy. But maybe he's wrong. A Lone Man is an urban fable that addresses the complexity of relationships, with a good dose of irony, and humor.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
A homeless girl faces depression and uncertainty during the holidays.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.