After showing herself as she is, Luisa, who’s dedicated to crest traditional Andean textiles, is rejected by her nephew and her whole town. This leads to a series of events that will make her choose between recovering the only family bond she’s got left or choose herself in the process.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
This spin-off series follows the adventures of Kitty Covey, Lara Jean's younger sister from the "To All the Boys" film franchise.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
This live-action Barbie movie brings strong feminism and topics about blondes.
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.
