10 Shakespeare Films to Watch for the Aesthetic
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."

After the collapse of the Soviet Union, Ukraine's social and political institutions faced massive change, including an increasingly corrupt government and crippled infrastructure. A number of the nation's youth wound up homeless and addicted to a lethal cocktail of injected cold medicine and alcohol. In the early 2000s a pastor from Mariupol named Gennadiy Mokhnenko took up the fight against child homelessness by forcibly abducting street kids and bringing them to his Pilgrim Republic rehabilitation center—the largest organization of its kind in the former Soviet Union. Gennadiy's ongoing efforts and unabashedly tough love approach to his city's problems has made him a folk hero for some, and a lawless vigilante to others. Despite criticism, Gennadiy is determined to continue his work.
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
Why is 'The Green Knight' so white? People of color are so removed from the origins of 13th century art. We’re looking toward the future, and part of that should be updating aspects of our stories to mirror those evolutions.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.