Danish adaptation of Pulman's 1959 dramatic debut about young Harvey Green (Baard Owe), whose life has reached a baffling crossroads. At seventeen, with his schooling over and his future uncertain, he lives with his widower father (Gunnar Lemvigh) and sister (Annegrethe Nissen) in a crumbling, characterless part of London which has nothing to offer save despair. With his father contemplating a second marriage and trying to steer him into some kind of secure employment, Harvey's dreams seem remote and beyond fulfillment.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
