"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

During the Korean War, the lieutenant in charge of a Marine rifle platoon is killed in battle. Before he dies, he places the platoon's sergeant, who's black, in charge. The sergeant figures on having trouble with two men in his platoon: a private who has much more combat experience than he does, and a racist Southerner who doesn't like blacks in the first place and has no intention of taking orders from one.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Sam Levinson's latest film can't keep up with the excellence of its performances.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.