All the King's Men (1958)

The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.

When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.

“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.

One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.

Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'

Chickenhare and the Hamster of Darkness explores true identity through exploration.