Everyone’s Welcome in IT: Welcome to Derry
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.

Iris lives alone in a spacious apartment by the sea. The green horizon seems to distance it from the city in comfortable isolation. At nightfall, the place hosts known and unknown in a frantic party flow. Iris is the main attraction. But on a hungover morning, she finds a corpse in the living room. As in the distorted reflection of a crooked mirror, Iris feels repeating steps of her childhood friend, Tiara, a medical student who had run over a guy at the exit of a nightclub. After the incident, Tiara plunges into a spiral of self-pity, sentimental emptying and violence. The case is well known in town and Iris does not want to become another ghost in this dark repertoire of stories. In All the colors of the night, reality works as a dimension of imagination, memory and madness.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.