'The Polar Express' (2004)
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.

This film, which was recommended by the Ministry of Education, is based on the Malaya Campaign and the Battle of Singapore and was produced to boost morale. It depicts the Japanese Army’s advance from the perspectives of the artillery units and the “Silver Wheel” units (bicycle units).
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.