A Closer Inspection of LGBT Characters in Film
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.

Norma Brisbane has a taste for the finer things in life, but learns after her father's suicide that she is penniless. Resolved to recover her fortune in the easiest manner possible, Norma poses as the wife of her silly but wealthy suitor, Cuthbert Van Zelt, and soon she is invited to a number of lavish social affairs. At one such party, Norma steals the Duke of Duffield's family jewels but replaces them upon learning that they are made of paste. Next, she bets the duke that his jewels are fake and thereby wins a large sum of money. The duke persuades Norma to secure some old love letters from the man who is blackmailing him, Emerson Trent. After accomplishing this task, Norma discovers that Trent is not only the man who ruined her father, but the uncle of the man she loves, Oliver Garrett. Impressed by her courage, Trent promises to make amends, and Norma, her financial worries ended, marries Oliver.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
When you first hear that there is a series on Netflix where the lead character’s wife dies from cancer and he becomes dangerously suicidal, you wouldn’t immediately assume that it’s a comedy.
Step deep into the 21st century and discover the complexities of artificial combat soldiers.