The department store clerk Mary prevents a robbery at the store where she works, involving a necklace belonging to a rich unmarried woman named Eva Bandy. Later, she manages via a misunderstanding to prevent a million-dollar robbery of the same woman. With the man of her dreams, who helped her foil the robberies, she is "adopted" by Eva.
Rollin S. Sturgeon
Director
Gladys Walton
Maggie Quick
Edward Hearn
James Montgomery Johnson
Richard Norton
Percy Prack
Florence Turner
Eva Bundy
Helen Broneau
The Widow
Fred Malatesta
Amilo Rodolpho
Ruth Royce
Mademoiselle Scarpa
John Goff
Eddie Bowman
Frank Norcross
Mr. Shankley
Muriel Godfrey Turner
Madame De Jercasse
Lydia Yeamans Titus
Landlady
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
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