Mitch Downe From "Paranorman" Is Awesome Gay Representation
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.

Why did the team behind "The Smoking Tire" decide to drive 600 miles, off-road, in a cheap car that they bought over the phone? Is it because they have deep knowledge of outdoor survival and automotive maintenance? No. Definitely not. They did it because away from roads, street signs, people, and police, they would be free to experience every aspect of driving; the good, the bad, and the ugly. There's no one to say, "Don't stand on that moving car." or "Don't run into that." or, "That seems really stupid." If you love cars, total vehicular freedom is your idea of heaven. This series is about 4 guys testing the limits of automobiles, and bringing them to heaven.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
'Bros' is a must-watch for October's LGBTQIA+ History Month and it's as good a rom-com as any! Don't let box office numbers or misguided reviews deter you from this great film.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
'Brother' is a gripping family drama with dazzling performances all around.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.