Don’t Let the Box Office Failure Deter You, 'Bros' is A Classic Rom-Com
'Bros' is a must-watch for October's LGBTQIA+ History Month and it's as good a rom-com as any! Don't let box office numbers or misguided reviews deter you from this great film.

Pauline, a beguiling woman in her 60s, returns to her hometown, Turin, for the first time since she was ten years old. She has inherited her aunt’s apartment in town. In Turin Pauline contacts Dr. Angela Gualtieri, a psychologist whom she had met abroad some time before; Angela runs a maternity centre, the Melograno, a support centre where both mothers to be and young mothers with post natal depression seek help. At the Melograno they are constantly short of help, that’s why Angela asks Pauline to give her a hand in setting up an in-house archive collecting different material relating to maternity: video interviews to new mothers, mothers diaries, photo portraits of mother and child. Pauline accepts and starts her work plunging deep in an emotional material that touches her strongly: the controversial feelings experienced by women in their relation with the child.
'Bros' is a must-watch for October's LGBTQIA+ History Month and it's as good a rom-com as any! Don't let box office numbers or misguided reviews deter you from this great film.
Why is 'The Green Knight' so white? People of color are so removed from the origins of 13th century art. We’re looking toward the future, and part of that should be updating aspects of our stories to mirror those evolutions.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.