
A young woman arrives in a city for the first time. She observes the people around her and realizes that she does not belong to that world, everything is alien to her. Even so, she tries to pretend to be one of them, to fit into this strange place.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
This young adult movie focuses on relationships in this high school reunion.