The "Wilds" Is Wildly Diverse
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.

Thirty-eight-year-old Alice spends her days sleeping. Working nights at a rehabilitation center provides her with an excuse for her fatigue and emotional apathy. Yigal, Alice’s husband, feels lonely and tormented by her chilly attitude, while his anger gradually heightens. Eli, her nine-year-old-son, is desperate for her love. The rehabilitation center houses thirty young women who have suffered emotional crisis. Alice prefers as little communication as possible with the girls and performs only the basic demands of her job: handing out medication, supervising meals, and overseeing shower time. After the lights go out, Alice meets with Yoel, her lover. On the narrow single bed, a passion for another kind of life, or for what might have been, is aroused.
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Sisters Mia and Emma discover and hunt down a unicorn with magical blood and want to protect it.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.