Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

The three friends (Adel), (Salah) and (Faraj) meet (Mona) the beautiful girl in the pension in which they reside, the three guys come close to her but she tends to (Adel) and confesses that she is involved in smuggling with (Baher) because he has Evidence of her brother's innocence from a murder involved, Adel and his friends decide to help her to get rid of (Bahir) and prove her brother's innocence.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.