After finishing college and failing at getting a job, Alana returns to her parent’s house aiming to land a government job. During the night, lights, sounds, and a mysterious figure starts haunting her house.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
