'Fargo' (2014): Does the True Story Genre Need to be True?
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.

A film about the art exhibition 'Alan Suicide: Collision Drive' at Deitch Projects in New York in 2002. The film shows Alan Vega's work as a visual artist and displays 18 of his light sculptures created between 1971 and 2001.
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.