“Dangerous Lies” is as Predictable as Can be
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.

Despite being part of a young generation of Palestinian Arabs whose families chose to stay and challenge the Israeli state after Al-Nakba, 17-year-old Tamer and his friends are just like any other group of teenage boys. They clumsily search for drugs, flirt with girls, play video games, and slack off at school. However, when a beautiful new student named Maysaa’ joins their class Tamer immediately falls for her and, by association, is drawn into her political activism. Together they join fellow classmate, Safwat, in an operation to covertly raise the Palestinian flag and peacefully disrupt the local celebrations planned for Israel’s Independence Day – otherwise known to Palestinians as a day of mourning and memorialization for their displacement 70 years prior. Unsure of his own political convictions, Tamer must quickly determine what matters to him and what price he is willing to pay for freedom.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.