Before tackling the ascent of urban buildings, Alain Robert was considered one of the best specialists in the "climbing" of cliffs. His passion nearly cost him his life in 1982, when a fall rendered him 66% disabled. At the time the doctors were convinced that he could no longer indulge in this passion. This does not prevent him, by dint of motivation and training, from climbing more than 170 buildings around the world to date, and from soloing technical routes at his maximum level, such as "La Nuit du Lézard". (8a+) in Buoux (France), where here is "L'Ange en Décomposition", in 1991, a mythical course in the Gorges du Verdon.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Shadow & Bone excels in natural story representation with powerful centering of culture. Jessie Mei Li stars as Alina Starkov, the feisty cartographer with kindness, innocence, and integrity, who comes to be revealed as the legendary summoner of light.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
'Selena: The Series' loses sight of the story's heart: Selena herself.
