‘Thunderbolts*’—A Spark of Hope in Dark Times
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.

Aladdin’s parents separate when he is three. His father moves with him and his brothers to Tangier and re-marries. Then he leaves the family again and goes to Holland. Aladdin ends up on the street, sniffs glue, polishes shoes and keeps afloat by stealing. Years later, his father returns and finds Aladdin completely down and out. The boy steals from his own father and flees to the mountains, to Ketama. When an inner voice leads him back to Tangier, his father, to whom he is indebted, is dead: the trauma of his life. Desperate, he searches for a father figure and finds him in Felix, a foreign writer, who takes on the role of the magician in the story of initiation “Aladdin and the Magic Lamp” from "Arabian Nights". He helps Aladdin to come up in the world and leads him to the discovery of his creative power – his “magic lamp”: Aladdin takes up painting and finally manages to reach his long-awaited getaway to paradise, Europe, where he meets his princess and marries her.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
"Beef" is a new dark comedy with a near entire Asian-American cast
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.