Every year since 1970, the German town of Burghausen has hosted one of the world's biggest jazz festivals. During Burghausen International Jazz Week, the town becomes a "Bavarian jazz mecca": visitors from all over the world join residents to enjoy wonderful jazz performances in the colorful frenzy that grips the town packed with spectators and musicians. One of the artists featured in 2019 was The Earth, Wind & Fire Experience. In this concert, guitarist, composer and musical director Al McKay performs his timeless disco and soul hits. Joined by 7 of the 13 original members of Earth, Wind & Fire, he revives "Boogie Wonderland" and "September" from his world tour.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
“Trust your gut" is one of the most common pieces of advice you’ll receive during your lifetime. And as a person inclined to trust my intuition above all else, it’s the most common advice I find myself giving in real life and in my online socialising. But what happens when your gut is trying to warn you that something is seriously wrong without you being able to identify what triggered it in the first place? How can you act on a feeling or make it go away when you don’t have a clue about what could be wrong? How can you trust your intuition when you don’t know what makes it act out in the first place?
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
Friendships are tested when two girls have a crush on the popular boy at school.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
