'The Mitchells vs. The Machines': Creative Kids vs. Practical Parents
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.

Directed by Bolivian-born filmmaker Humberto Ríos (working from Argentina, where he was based), this 65-minute color documentary chronicles the struggle of Bolivian miners and peasants in the period leading up to the de facto government of dictator Hugo Banzer, who came to power with U.S. backing. The film offers a critical warning about the rise of dictatorships across Latin America, situating Bolivia's social conflict within the broader wave of imperialism and military repression sweeping the region at the time.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
An attempt to capture nostalgia that unfortunately just doesn’t work
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
Much more than a meme, 'Barbenheimer' actually diversifies viewer bases and spreads the important message of both films wider than they otherwise would have!
If you want to feel the rush, you have to take the risk.