'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

Pregnant Amal lives together with her family in Al Baraneya, a village outside Cairo, surrounded by jasmine fields. Their chaotic yet loving way of life is upset when a landowner offers to buy their land. The pressure to sell divides the family and doubts begin to grow. When Amal’s cousin Rania visits from Cairo, she captivates Amal and her younger sisters with her modern lifestyle: jeans, TikTok videos, and lively city stories. Amal starts to question the life that seems to have been laid out for her and dreams of moving to Cairo. Now that the potential sale of the land offers the prospect of a future in the city, the family’s unshakable faith in their own life in the village starts to waver.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
A science fiction movie brings a strong diverse cast and adventure in outer space.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.