'Dune' Disappoints
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.

Hailed as a masterpiece of 21st century dance, Akram Khan’s Giselle comes to cinemas for the first time with Artistic Director, Tamara Rojo, dancing the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory. The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon), an ‘ominous, gothic’ (The Observer) adaptation of Adolphe Adam’s original score by composer Vincenzo Lamagna and performed by English National Ballet Philharmonic, dramaturgy from Ruth Little and lighting design from Tony Award-winner Mark Henderson. Filmed live at the Liverpool Empire in October 2017, Akram Khan’s Giselle is directed for the screen by Ross MacGibbon.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
The latest in the lineup of Disney+ Marvel shows, Hawkeye is shaping up to be a fun Christmas-themed Avenger show that’s also really down to earth.