'Peter Rabbit 2': The Runaway Hare
The second film takes us on Peter's journey to be understood.

Multidisciplinary artist Coco Fusco chronicles public obsession with and depictions of Angela Davis. In 1970, after the state of California issued a warrant for Davis’s arrest and she was subsequently placed on the FBI’s most-wanted list, she went into hiding. In her public absence, her image was endlessly reproduced and disseminated as she was stalked by the State. Using archival imagery and fictionalized first-person accounts of the FBI agent who pursued her, Fusco’s formally inventive, sardonic, and fantastical short is a send-up of the surveillance state and weaponized imagery.
The second film takes us on Peter's journey to be understood.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.