
Multidisciplinary artist Coco Fusco chronicles public obsession with and depictions of Angela Davis. In 1970, after the state of California issued a warrant for Davis’s arrest and she was subsequently placed on the FBI’s most-wanted list, she went into hiding. In her public absence, her image was endlessly reproduced and disseminated as she was stalked by the State. Using archival imagery and fictionalized first-person accounts of the FBI agent who pursued her, Fusco’s formally inventive, sardonic, and fantastical short is a send-up of the surveillance state and weaponized imagery.
Make way for more Latine representation! Disney has released a toe-tapping musical trailer for "Encanto", which features more diversity than expected!
Much more than a meme, 'Barbenheimer' actually diversifies viewer bases and spreads the important message of both films wider than they otherwise would have!
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.