'Ted Lasso' Steps Up its Incluvie Game
The development of existing characters and the addition of some new ones have surely placed 'Ted Lasso' on some sort of an Incluvie A-OK list.

Doc Pomus’ dramatic life is one of American music’s great untold stories. Paralyzed with polio as a child, Brooklyn-born Jerome Felder reinvented himself as a blues singer, renaming himself Doc Pomus, then emerged as one of the most brilliant songwriters of the early rock and roll era, writing “Save the Last Dance for Me,” “This Magic Moment,” “A Teenager in Love,” “Viva Las Vegas,” and dozens of other hits. Spearheaded and co-produced by his daughter, Sharyn Felder, and packed with incomparable music and rare archival imagery, this documentary features interviews with collaborators and friends including Dr. John, Ben E. King, Joan Osborne, Shawn Colvin, Dion, Leiber and Stoller, and B.B. King, as well as passages from Doc’s private journals read by his close friend Lou Reed.
The development of existing characters and the addition of some new ones have surely placed 'Ted Lasso' on some sort of an Incluvie A-OK list.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.