Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Aşk Kırmızı poster

Aşk Kırmızı 

The film asks the question would have been triple love. Ferhat and Zeynep is a happily married couple. Karlıdağ outside of marriage appears happy couple, the first love of life remained in the years ahead will be turned upside down with the introduction of the Euphrates Nazlıgül again. Zeynep even a night encounter with the former love of her husband Nazlıgül powdery mildew that can not bear to be separated , and that is the love in his heart can not prevent the re-ignition.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The film asks the question would have been triple love. Ferhat and Zeynep is a happily married couple. Karlıdağ outside of marriage appears happy couple, the first love of life remained in the years ahead will be turned upside down with the introduction of the Euphrates Nazlıgül again. Zeynep even a night encounter with the former love of her husband Nazlıgül powdery mildew that can not bear to be separated , and that is the love in his heart can not prevent the re-ignition.

Rating:
Genre:Drama, Romance
Directed By:Osman Sınav
Written By:Osman Sınav
In Theaters:
Box Office:

Runtime:114 minutes
Studio:Sinegraf, Dreamlife Studios

Articles You May Like


Marion Ravenwood, the Unsung Hero of 'Raiders of the Lost Ark'

For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.

Matt Geiger