A white Mercedes, the English countryside, a cathedral city, a haunted figure at the wheel with an overnight bag in the boot. Frank Summers has run away from a career as a fabulously successful rock promoter and an anguished private life. Now he's facing the hardest of all moral choices - a life or death decision which is to have a shattering impact on the lives of new friends who offer shelter, and on the new arrival on the seemingly tranquil scene.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.
The July episode of Incluvie Movie Highlights provides 4 exciting films that have polarizing reviews! Special guest and Incluvie movie critic Daleyna joins in to discuss Mr Malcolm's List, a regency-era film set in England, starring leads of Indian and African heritage (Freida Pinto and Sope Dirisu), which is a first! Don't Make Me Go, starring an Asian and Blasian lead (John Cho and Mia Isaac), is a sincere film with a controversial ending! Don't worry, no spoilers. 1Up, about a team of female gamers led by Paris Berelc, who's half Asian, receives acclaim on Incluvie, but much hate everywhere else on the internet. And the feature film... is Nope ! One cohost thinks the film was imaginative, while the other cohost insists it was boring (but with good social commentary)! Who thought what? Tune in with your hosts: Cathy Yee and Hazel Bolivar!
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
