'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

An artistic pioneer, Agnès Varda has never stopped looking for the next way to tell a story. Here the 90-year-old explains how Instagram, with a majority of users in the 18-24 age range, followed photography and film as her medium of choice.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
It’s almost the end of the first month of 2021, and just over a week since the U.S. saw a new president take office. In light of the occasion, some of us highlighted our favorite political films below!
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
Mean Girls not only centers around what goes on in high school, but also shows viewers and fans the diversity among people, especially teenagers, within today's society.
Although bogged down by a slow pace and moralistic intent, ‘Deadly Garage Sale’ (2022) makes the most of its silly and nonsensical premise.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?