Nobody 2 Review – Hutch on Vacation, Chaos Included
Hutch just wanted a family vacation, but chaos follows him everywhere. Nobody 2 is violent, stylish, and over-the-top in the best way possible.

The brilliant young physicist Henrik and his fellow students develop a fusion reactor that produces endless clean energy, potentially saving Earth from environmental catastrophe. The reactor, however, is harnessed for commercial use, and the consequences for the planet and society are devastating. By the year 2064, the world has been ravaged by climate change. The UN succeeds in developing a form of time travel that can return a person's memories and personality to the moment of birth. Henrik is sent back to the past in an attempt to prevent the escalation of a catastrophe before it is too late. Something goes wrong and Henrik is forced to begin his mission from a very different starting point to the one he is used to.
Hutch just wanted a family vacation, but chaos follows him everywhere. Nobody 2 is violent, stylish, and over-the-top in the best way possible.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
“There’s always something you can do…to make people feel like they’re welcome”