After the Tone 

'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).

If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse.  Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration. 

Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.

The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.

The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.