In 2002, a woman from the Pakistani countryside named Mukhtar Mai made world headlines. After the rumour that her 12-year-old brother was having a relationship with a woman from another clan, Mukhtar was gang-raped by order of the village council. Instead of committing suicide, she spoke out and the six men were sentenced to death, although five of them were eventually acquitted. Against all the codes of her society, Mukhtar took her case to the Supreme Court. After the Rape doesn't comment on the outcome of her case. What the film does show is the environment that the assertive Muhktar managed to create in the wake of the incident.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
American Fiction is a genuinely entertaining film with a few lessons.
Overall this movie was an easy watch, but by no means a worthwhile watch.
