Elmer Jackson, a carpenter in a small Californian town in the 1930s, struggles to bring up his 4 young boys after the death of his wife. He is horrified when the government (citing trumped-up charges of parental neglect) places the boys into various foster homes and institutions, unaware of the abuse that boys would then be subjected to. The conditions imposed by the court and the difficulties caused by the Depression make Elmer's determined and vigorous quest to find his boys extremely difficult. His second wife helps him to regain custody.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.
Two Korean sisters must save their family after a ghost tears the family apart.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
