The Owl House: A Children’s Show with a Bisexual, Hispanic Lead!
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.

In this funny and moving documentary, acclaimed film-maker Daisy Asquith tells the very personal story of her mother's conception after a dance in the 1940s on the remote west coast of Ireland. By exploring the repercussions of this act, Daisy and her mother embark on a fascinating and emotional adventure in social and sexual morality. Her grandmother, compelled to run away to have her baby in secret, handed the child over to 'the nuns'. Daisy's mum was eventually adopted by English Catholics from Stoke-on-Trent. Her grandmother returned to Ireland and told no-one. The father remained a mystery for another 60 years, until Daisy and her mum decided it was time to find out who he was. Their attempts to find the truth make raw the fear and shame that Catholicism has wrought on the Irish psyche for centuries. It leads Daisy and her mum to connect with a brand new family living an extraordinarily different life.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.